Jeux de Mots Inc. trans. WORDPLAY
February 6 thru February 24, 2013
Limited Engagement – 16 performances
The Lion Theatre
Conceived and Directed by
Antonio Edwards Suarez*
Ed Matthews – Lighting Designer
Lui Konno – Costume Designer
Brian Hurley – Sound Designer
Jessica V. Urtecho – Production Stage Manager*
Mark Bly – Dramaturg
Dylan Uremovich – Technical Director
Producer – Joel Bassin
Associate Producer – Candace Lawrence
Assistant Stage Managers – HyoJu Hong, Stephanie Mora
Assistant Costume Designer – Amy Chen
Production Assistants – Yaribel Castillo, Jonathan Rodrigeuz, Samantha Herrera
Publicist – Paul Siebold
*appearing courtesy of Actors’ Equity Association
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Colette Peters () likes FOODACTS, and she’s offering some special gifts to help you like FOODACTS too.
The first 3 people who purchase at least 4 tickets to a Wed, Thurs, or Fri performance of FOODACTS will receive Colette’s 365 Days of Cakes 2013 calendar or her book Cakes to Dream On.
At least 4 tickets must be purchased for Friday 2/15 8pm, Wednesday 2/20 8pm, Thursday 2/21 8pm, or Friday 2/22 8pm.
Purchase tickets at or call 212-239-6200 and email email@example.com with your ticket confirmation #. You’ll receive an email letting you know if you’re one of the winners, and you’ll receive your special gift when you arrive at the Lion Theatre.Her response here
10% off a meal with FOODACTS program or ticket!
Westway Diner / 614 8th Avenue
Theatre Row Diner / 424 W. 42nd Street
JEUX DE MOTS trans:WORDPLAY is a New York based company of theater artists devoted to creating theater from non-theatrical texts, and re-envisioning the classics. Through collaboration and exploration of varied works of literature, WORDPLAY's goal is to introduce these works on stage to a wide audience of all ages. The juxtaposition of the varied texts allows everyone to hear and see literature in a new and exciting way.
Previous productions include THE HEART OF MY MYSTERY: THE HAMLET PROJECT which used a condensed version of Shakespeare's text interwoven with criticism of the play from writers as varied as Freud, Goethe, and Coleridge. CAN'T I NOT LIKE IT? employed theatrical reviews as theater with commentary by Shaw, Parker, Tynan and others.